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Their high school days may be distant memories, but the pair howl these yearbook scrawl couplets (and the “XOXOs” and “YEAHS!” that serve as punctuation) with the self righteous fury that comes from being a bullish, sensitive teen who’s had his heart broken for the first time.Secondly, the music on Post Nothing is as beautifully streamlined as it is ferocious. Prowse and King have a two pronged attack: flailing karate chop drums and a Fender plugged into a crappy amp, cranked up as high as it’ll go, and swathed in layers of spiky, self protective distortion.If anything, Post Nothing has ties to sweetly crunchy classics like Eric’s Trip’s Forever Again and Sebadoh’s Bubble and Scrape, but it sounds too vital to be dismissed as some sort of exercise in mid ’90s revivalism.This accessible opener is a bit of a tease: after hinting the album will be full of hypnotic hits along the lines of the Parish produced Down by the Water, things take an abrupt, more avant garde turn on Sixteen, Fifteen, Fourteen, a feverish rant poem that is laid overtop of a snake pit of banjoes that circle and writhe around Harvey’s always piercing voice.In interviews, Harvey has credited Parish with giving her music that makes her want to stretch herself as a singer, and it shows: at various moments, she yelps like a dog (Pig Will Not), sings in a Theremin like falsetto (Leaving California), delivers a frenzied finale that is part orgasm, part prayer (Sixteen, Fifteen, Fourteen) and growls like Beelzebub himself on A Woman a Man Walked By’s stunning, delightfully disdainful title track.Some of these flourishes (Pig Will Not’s piercing barks and April’s little old lady warble) will be off putting for those who don’t already worship at the altar of Polly Jean, but for fans and adventurous new converts, this a keeper her most daring album since Stories from the City, Stories from the Sea.I heart Winnipeg: Straight outta the prairies comes word of a rather remarkable project that’s been developing in Winnipeg. Apparently Mike Petkau, a talented guy with a bunch of credits to his name (he’s produced discs by indie pop outfit Paper Moon and twangy Juno nominated duo Twilight Hotel, he’s scored films) invited a bunch of local musicians to hang out at his studio every week for about four months.